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What's your road, man? : critical essays on Jack Kerouac…

Welcome to the new site for Beat Scene magazine. A long running print quarterly devoted to America’s Beat Generation and all those associated with it, artists, writers, musicians. The site will grow in the near future. For now, information about the very latest issue given over exclusively to 60 years of Jack Kerouac’s landmark novel ‘On the Road.’ The issue includes contributions from Kerouac friend and collaborator David Amram, Kerouac’s first biographer Ann Charters, an interview with LuAnne Henderson, better…

It’s been a while since Beat Scene had an internet site. Long story. Won’t go into it. Beginning now to build up a new one. The most obvious place to start is with news of the current issue of the magazine, number 87. This issue is wholly devoted to Jack Kerouac and his landmark novel ON THE ROAD. It features contributions and memories from his friend David Amram. From his first biographer Ann Charters and from a more…

While journeying on the road, Sal Paradise is not searching for a home, a job, or a wife.

: critical essays on Jack Kerouac's On the road

Despite all of Dean and Sal's partying and pleasure-cruising, On the Road ends up being a sad and disturbing story.

Sal Paradise, a struggling writer living off veteran benefits and a generous aunt, narrates the novel with an awestruck wonder at his collected experiences of traveling the road....

Jack Kerouac Kerouac: A Biography, helps to explain how Jack Kerouac, the founder and most important member of the Beat movement, was influenced by the rapidly changing culture of the 1950’s, as well as, how Kerouac ignited a social and literal revolution in America, from which the Beatniks and Hippies emerged....

Free Jack Kerouac Essays and Papers - 123helpme

Kerouac would have most likely ended up on the road even if Cassady had never entered his life; his desire to discover America had long since been brewing in his restless soul, to learn of its vastness and history and secret places....

This quote, from Jack Kerouac’s book On the Road, is a brilliant example of the overall feel of the Beat Generation.

On the Road is considered, along with Allen Ginsberg’s poem ”Howl” (1956) and William S. Burroughs’s novel Naked Lunch (1959), to be one of the seminal texts of the Beat Generation. Kerouac’s work was influenced artists including Thomas Wolfe, Fyodor Dostoyevsky, Marcel Proust, Jack London, and James Joyce, among others.

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On the Road Essays | GradeSaver

Born in a French-Canadian community in Lowell, Massachusetts, Kerouac was raised a Catholic and educated in parochial schools. He was a highly imaginative child who created an imaginary world of racing stables and sports teams, and who then wrote his own newspapers to report their performances. An outstanding athlete, Kerouac received a football scholarship to Columbia University but withdrew from school during the fall of his sophomore year. He was beginning to feel deeply troubled by the great shift in morals brought about by World War II. Kerouac joined the Navy in 1943 and was released after six months for psychological reasons. He worked the remainder of World War II as a merchant seaman and associated with the bohemian crowd around the Columbia campus that included Allen Ginsberg and William Burroughs. The publication of On the Road brought Kerouac sudden notoriety, and eight of his books were produced during the next few years, as publishers rushed to capitalize on his popularity. Kerouac’s natural shyness, however, kept him from enjoying his fame. He was known to arrive at interviews intoxicated and failed in his sporadic attempts to withdraw from society to concentrate on writing. A sincere patriot and Catholic, Kerouac became increasingly bewildered by and alienated from his bohemian fans in the 1960s. He returned to the place of his birth in 1966 and moved with his mother to St. Petersburg, Florida, in 1968. He died from complications due to alcoholism in St. Petersburg in 1969 and was buried in Lowell.

Jack Kerouac Critical Essay - Syac Business Centre

Kerouac is best known as a key figure of the artistic and cultural phenomenon of the 1950s known as the Beat Movement. Kerouac’s best known novel, On the Road (1957), depicts the counter-culture lifestyle of the Beats, which was marked by manic travel and experimentation with sex and drugs. While On the Road stunned the public and the literary establishment when it was first published, its continuing popularity and the proximity of Kerouac’s philosophy to that of such honored American writers as Walt Whitman and Henry David Thoreau have garnered Kerouac a place in the canon of American authors.

'On the Road' toward mortality: A critic ponders Jack Kerouac

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On the Road is considered the quintessential statement of the 1950s literary movement known as the Beat Generation. On the Road describes the growing friendship of two men, Sal Paradise and Dean Moriarty, and their crisscrossing journeys over the American continent. On a deeper level, it was the story of the narrator’s search for religious truth and for values more profound than those embraced by most of mid-twentieth-century America. In both form and subject On the Road was completely unlike the serious fiction that dominated the era. Accordingly, it was ridiculed by Kerouac’s contemporaries in the literary establishment, who viewed it as ”an insane parody of the mobility of automotive America,” according to Dennis McNally in Desolate Angel: Jack Kerouac, the Beat Generation, and America. On the Road spoke to many readers, however; it expressed their own unarticulated dissatisfaction with the repressive climate of the United States after World War II.

On the Road Summary Jack Kerouac

The fifties Beat Generation, notably through Jack Kerouac’s On the Road and Allen Ginsberg’s Howl as will here be discussed, fought to revitalise individuality and revolutionise their censored society which seemed to produce everything for the masses at the expense of the individual’s creative and intellectual potential....

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